Audition & Portfolio Review

Thank you for your interest in the Boston Ballet School’s Professional Division at Walnut Hill. All dancers seeking admission to our program must complete a dance audition as part of their application process.

All auditions for the Professional Division will be conducted by Boston Ballet School as part of their national audition tour for the 2023 Summer Dance Program. At these auditions, Boston Ballet School faculty will review students who have applied to Walnut Hill for acceptance to both the Professional Division and Summer Dance Program.

Registration for the SSP Audition Tour is officially open! Please click here to register for an in-person audition. Dance applicants must register for an in-person audition in one of the following cities:

• Atlanta, GA
• Boston, MA
• Chicago, IL
• Cincinnati, OH
• Denver, CO
• Fort Worth, TX
• Hartford, CT
• Houston, TX
• Los Angeles, CA
• Miami, FL
• Minneapolis, MN
• Mission Viejo, CA
• New York, NY
• Philadelphia, PA
• Pittsburgh, PA
• Salt Lake City, UT
• San Francisco, CA
• Saratoga Springs, NY
• Seattle, WA
• Tampa, FL
• Washington, DC

• Winston-Salem, NC

Students who are unable to attend an in-person audition may submit a pre-recorded video audition to Boston Ballet School. Registration will be available starting early November. Once you have started an application, a Walnut Hill Admission team member will be in touch.

Please note, participation in the Summer Dance Program audition is required for admission to Walnut Hill, but participation in SDP itself is not.

Please direct any questions to both admissions@walnuthillarts.org and sdp@bostonballet.org.

Students applying for the music program have two options for auditioning:

Option 1: Schedule an in-person audition on our campus using the link below. Your audition should follow the listed guidelines for the music concentration to which you are applying (Jazz, Vocal, etc.).

Option 2: If you are unable to travel to campus, please submit a video audition via Slideroom at the link below. When submitting a recording please do not alter the sound of your recording or add reverb. We prefer to hear your natural sound as if you were auditioning in person.

Composition

Two or three original compositions in neat manuscript form. At least one of these should be written by hand. In addition, we require a demonstrated level of proficiency on your major instrument.

Instrumental (Classical)

Two or three contrasting movements or short works. The works should include selections from at least two different musical periods (ex: Baroque, Classical, Romantic, 20th Century, Contemporary).

Jazz

Two contrasting pieces, with at least one of the two pieces composed by a jazz musician such as Charlie Parker, Duke Ellington, Sonny Rollins, Miles Davis, Thelonius Monk, Herbie Hancock, etc.

Play the written melody once at the beginning, then improvise on the form of the tune for 1 and 3 minutes. If you play a chord instrument (like piano or guitar), demonstrate your ability to accompany someone else’s solo. The composed melody should only be played one time at the beginning. If you play bass, demonstrate a walking bass line in one piece, and a different rhythm in another piece (such as funk, bossa nova, ballad, ostinato, or Afro-Cuban, etc.). If you play drums, demonstrate a swing feel on one piece and a different rhythm in another piece.

Recording guidelines: You may submit a video of you playing with a live small jazz ensemble or a “play along recording” consisting of bass, drums and chord instrument (guitar or piano). Please use the guidelines above.

Please Note: If you have no previous small jazz ensemble experience, you may audition by playing two contrasting pieces in any style. At least one of the pieces should demonstrate your ability to play in a strict metric style (no rubato, no tempo shifts).

Voice (Classical)

REPERTOIRE GUIDELINES:

• Sing two Classical Art songs from memory, showcasing your best strengths in artistry, expression and vocalism. It is recommended that the pieces contrast in tempo, character, or style, to allow you to demonstrate range in musicianship.
  • One song should be in English
  • One song should be in another language, preferably Italian (for example, songs from collections such as “24 Italian Songs and Arias”). French, German, Spanish or Latin are also welcome.
  • OPTIONAL: You may sing a third song of your choice. For example, Golden Age Musical Theater, or a classical song representing your native language or culture.
• Please do not sing operatic arias or contemporary pop.
• Our voice program is strongly committed to diversity of representation in our performance projects. We welcome and encourage you to include repertoire from underrepresented composers and poets (works by women, Black, Indigenous, Asian, Latinx or People of Color, or other underrepresented groups).
• Please contact Head of Voice, Teresa Winner Blume, with any questions about your repertoire selection at tblume@walnuthillarts.org.
• If you have any questions or are unable to find an audition date on the Calendly listing, please email Teresa Winner Blume, Head of Voice, directly at tblume@walnuthillarts.org.

IN-PERSON AUDITIONS:

An accompanist will be provided for live auditions. Please bring a copy of the music in the correct key for the pianist to play from. A 3 ring binder with clean, double-sided copies of your music is acceptable, or the original score or anthology.

SLIDEROOM VIDEO SUBMISSION GUIDELINES:

• Submit one short introduction video: Say your name, age, current grade, and hometown. Include one short statement about why you are interested in classical singing and our voice program at Walnut Hill.
• Recording with a smartphone is acceptable.
• Ensure that the volume of your piano accompaniment does not overpower your voice. If using a speaker and a pre-recorded accompaniment track, place the speaker near you so you have as much auditory support as possible.
• Record in landscape orientation, and try to capture from just above your head to your hands when at rest. Ensure your face is well lit and that your background is clear of clutter.
• You may not edit the recording for audio or video enhancement of any kind. We would like to hear you as naturally as possible, as if you were auditioning for us in person.

Students applying to the theater department should schedule an audition in-person on our campus using the Calendly link below. If you are unable to make it to campus, you can also choose to Zoom by reaching out to your admission representative.

Theater applicants should prepare one monologue from a published play, and one 16-32 bar section of a song from the musical theater repertoire (no more than 2 minutes each). You may dress casually in clothes that allow freedom of movement. There will be a brief question and answer session between the applicant and theater faculty prior to the audition.

Students applying to the visual art department are required to create a portfolio of work that will be reviewed by an arts faculty member. There are two steps for a student having their portfolio reviewed:

1. Schedule a Zoom portfolio review using the link below.
2. Submit portfolio via Slideroom at the link below. Submissions must be sent through Slideroom one (1) week in advance of your scheduled review.

Portfolio submissions should consist of the following:

Amount of works & information

Portfolios should contain a minimum of four works. Please include the following information for each piece of your portfolio:

1. Title of work
2. Scale of work
3. Materials/media used
4. Description of work and inspiration behind it

Freeform Drawing

Please also include an original, freeform drawing. Arrange clothes or shoes from your wardrobe in a clear space in front of you. Using graphite or charcoal, sketch what you see.

Sketchbook

Sketchbooks offer important insights into the creative process of an applicant. Applicants are encouraged to bring their most recent sketchbook at the time of a portfolio review.

Students applying to the WFMA Program must follow two steps:

1. Submit your portfolio via Slideroom using the link below.
2. Schedule a portfolio review with our Writing, Film & Media Arts Department. This review will take place over Zoom and is an opportunity to speak more in depth about the work you have submitted. Submissions must be sent one (1) week prior to your scheduled review. Schedule your portfolio review using the link below.

Option A: Writing Submission

A writing portfolio consisting of original work that best represents who you are as a writer. It should contain 2-4 pieces of writing total from one or more of the following genres: poetry, fiction (short stories or brief excerpts from novels), playwriting/screenwriting, or creative nonfiction (personal essay or reflective essay—not an academic essay).

Option B: Video Submission

A short film or video (no longer than 10 minutes in length) in any style including live action, experimental, documentary, or animation. Please accompany the submission with a statement that clearly describes your personal contribution to the film (for example you might have written the screenplay and directed the film, or perhaps instead filmed and edited a film that a friend directed).

Option C: Storyboard Submission

A series of 10 to 15 still images arranged in an order that you feel tells a story. The images can be drawings, photographs that you took yourself, found images (from magazines, the internet, etc.). Please submit a short accompanying paragraph that illuminates or explains the story that you are trying to tell and credit any images that are not your own.